#forgetting about everything else

[falselyemmit]

So....

I have no excuse.

I'm back?

[crow-quet]

*You tell a joke about two kids who played in a muddy flower garden.

*...

*You tell a joke about a kid who slept in the soil.

[starfata]

Perse: Guess I'll be eating traditional Greek food.

Plants that haven't come to Greece and will not for centuries, if not Millenia:

Perse: Oh. Oh no. Basically none of the traditional Greek food exists yet. Time to start turning people into plants I guess. Where's the olive oil?

Olive tree: *Has existed for about two minutes longer than she has*

Perse: This is fixable!

[licorishh]

double ?? upload ???? yeaaaahh i've gotten FASTERRrr for whatever that's worth so complementary blyla because guess what i miss them too (nobody was surprised by that)

[hoziersong]

if there's one good thing to come out of the umbrella academy though. it's this

this picture is so ingrained in pop culture that everyone has seen it at least once

[chimerafeathers]

i love that isafrin can be the most straightforwardly romancey, wholesome pairing on a surface level and then you go one (1) level deeper and run into siffrin’s seething guilt and convoluted feelings around touch and intimacy and the extent to which they want or don’t want those things in a specifically romantic way or if he was trying to seek connection and love in any way he could once he knew that Isabeau wanted those things from him in that context, and the combined power trip/self disgust at “manipulating” Isabeau’s desires without his knowledge to make themself feel wanted and in control. and then you keep going and there’s also Isabeau’s own warped self image (still, in spite of all his changes, fearing that he’s someone that would be shameful to know), his “emotionally stable pillar” role and self-taught therapy talk masking his deep fears of real confrontation (struggling loop after loop to confess, not wanting Odile to confront Siffrin about their weird behavior in the sus quest bathroom talk) and how Siffrin’s fear of vulnerability and Isabeau’s fear of Pushing Too Hard allow both of their issues to fester unspoken long after it’s clear that the problems exist.

all this to say. duality of isafrin. makes my heart full and warm and happy to see the sweet, fluffy, silly love and connection between them (mutually romantic or otherwise). and then also. the delicious, delicious complications. gnawing on them like a dog with a beloved bone

[b6d11f]

at my best, I'm a sacrificial lamb at my best, I am something you could handle

[captnswilson]

Huaien caressing Xiaobao's face or Huaien being soft with Xiaobao before ruining his life

[fairsweetlonging]

just thinking about how binghe had no idea that without-a-cure even had a cure and he spent all his years as a disciple thinking his shizun would at best be disabled for the rest of his life and at worst die a slow and painful death, and it was to save him.

[satoblue]

you and satoru are the couple who are so absolutely into each other wherever you go, practically living in the other’s skin — no sense of personal space. trips to the bathroom are done together, and satoru does not wait outside the door even if it is a women’s only with a bunch of stalls. he’ll brush past them as if he belongs there — belongs alongside you. they are left dumbfounded. he isn’t looking at those women anyway — only you. and once you’re in the restroom, he holds your purse diligently and stands in front of you, having a conversation as you’re sat on the toilet. standing in line for food is done together — though, satoru protests as he’d rather have you sit to not hurt your precious feet, but holding you close is also nice. you whisper to each other a lot. he is always talking into your ear lowly under his breath, his lips brushing your skin bc he is practically mouthing at your lobe as he does so. his arms always find their way around your shoulder or waist, like a puzzle falling into place. you smell like each other, you have the same mannerisms and use the same slang. it’s like the two of you have your own secret club where no one else is allowed — and everyone can tell. with your own little inside jokes that confuse your friends bc they don’t understand. to be frank, everyone finds you both annoying — but they just don’t get it. none of them do. they never will. they will never get this connection between you. satoru only has one thing to say to it:

“they’re not like us.”

[davidtennan-t]

when you’re at a party and they have a pet

[lunar-years]

Propaganda in SOTR

An interesting facet of the way propaganda is used in SOTR is that the Capitol/Plutarch's manipulation of the footage happens gradually over the course of the Games in real time, which means people see multiple versions of the same events. Things are aired and then scrubbed, or else aired and then re-aired, slightly altered, until we get the edited cut that emerges during the Victory Ceremony recap. That 'final' edit succeeds in replacing the nation's collective memory of the Games, but it's important to note that plenty of citizens have, to varying degrees, witnessed parts of the truth!

For example, the footage from when the Games is airing "live" across Panem during mandatory viewing is not tampered with to nearly the same extent as the post-Games recap, both because:

1) the overarching 'narrative' of the Games inherently cannot be determined until the Games are finished and a Victor is named. Even the Gamemakers don't know exactly how the story's going to end. Things that might've seemed like normal gameplay (such as Haymitch and Ampert's initial meetup/alliance) likely air to the public before it becomes clear that what those two are actually up to is rebellious. When they begin to carry out their plot, certainly the cameras cut over to the other players, meaning none of the tank explosion gets shown, but only later would the Ampert & Haymitch alliance have been cut out completely.

2) The five or so minute delay is not long enough to make the kind of changes Haymitch describes watching during his Victor's Ceremony, and it is more likely that it only gives the Gamemakers/broadcasting crews enough lead time to determine which tributes they should be following at any given point of the Games (and when to cut away when someone is involved in something questionable). When the Careers and Haymitch and Maysilee encounter Gamemakers in the arena, for example, you can bet the footage airing across Panem shifts to Wellie in her tree. But later, when Haymitch tracks down Wellie and helps her, that's something that probably is shown at first, only to be erased later.

I'm thinking about this because I read a review where someone was saying this book opens up new plot holes for the original trilogy, because if they changed up Haymitch's games so much they could've just edited out Katniss and Peeta's suicide attempt and the berries altogether. I think it's a lot more complicated than that!

In her SOTR B&N edition interview, Suzanne even discusses how many versions of Haymitch's reaping exist and air to different people at different times. On the one hand you have what actually happens and is first filmed: The peacekeeper's shooting Woodbine, Lenore Dove helping Woodbine's mother, Haymitch's rigged 'reaping.' All of District 12 witnesses this, but the wider nation doesn't. Then you have the version that is aired to the rest of Panem after the 5 minute delay: Haymitch's name is called. No one reacts. Then you have the version Plutarch tweaks for the nightly recap: Sid and Ma are shown reacting to Haymitch's name being called. You then have the version shown during the Victor's Ceremony, post-games: Sid and Ma are scrubbed from the footage. And even then, finally, you get the version Katniss and Peeta watch on the train in Catching Fire, which Suzanne states could very well have been further tweaked over the years to fit an evolving narrative.

One can imagine this is true of many other elements of these Games. Capitol citizens directly witness both the Chariot Parade and the Interviews. Since the Interviews are also mandatory "live" viewing, nationwide, presumably the rest of Panem get much more extended footage of each tribute (with maybe just a couple of their answers cut by the 5 minute delay) than what is ultimately preserved on the tape Katniss & Peeta see. It's only after the games that the Newcomer alliance is all but erased.

The tributes' families are interviewed when there are eight kids remaining. Sid and Ma must've been interviewed back in Twelve, and surely that was shown. It's cut out, after, to make people forget about Haymitch's family. Similarly, the footage of Haymitch receiving the milk in the arena probably airs, because Snow's plan there is to force Haymitch to look like a terrible person (by dumping it when Wellie needed it), or force him to kill his ally (by giving Wellie the milk), or force him to kill himself (by drinking it), all of which needs to be seen to be effective. That entire plot line is cut from the recap footage because it goes nowhere, and no one who did see it probably thinks anything of it because it ends up not being important to Wellie's or Haymitch's death, but this doesn't erase that people did see it.

Ultimately, the point Suzanne's making re: propaganda isn't as simple as the nation being fed one (1) false version of events and believing it because it's the only thing they've ever been shown. It's that many citizens WITNESSED (to various degrees, depending on where and who they are) other versions of these Games, with more, though still not entirely truthful, elements from reality. Yet even though there are plenty of discrepancies for people to question, no one does. Haymitch even comments on this as he's watching the recap. The Capitol's gone so far as to have even changed up the order of the deaths (which wouldn't have been altered in the "live" footage for obvious reasons), and the Capitol audience is eating it up even though they MUST remember it didn't happen like that!! The propaganda, the final narrative, is so effective that it makes people forget even the truths they have seen with their own eyes. Reality gets buried under several layers of falsehood, not just the one. And no one asks any questions.

To bring it back around to Peeta and Katniss, their games and rebellion are harder to alter for several reasons. Some things do get cut, including what Katniss' does for Rue, in the recap. But The Finale is the one point of the games that to some degree needs to be shown in all versions. There's no one else left to cut away to, for one, and there also needs to be some sort of narrative ending to close the Games. It's harder to edit actual deaths, and harder still when it's down to the last two tributes remaining. (I'll point out here that the Capitol doesn't alter the force field trick in Haymitch's games, either, even though some people might have read rebellion even in that [Katniss and Peeta certainly do!] They really couldn't. This is why I think Haymitch's side plot to blow up the cornucopia and kill off Silka and likely himself in the process might have actually worked to cause a visible stark for the rebellion more than anything else that he does. To at least some degree, that would've had to have been shown. They would need it to explain the ending.)

Now, in a best case scenario, the Gamemakers certainly could've sent in a targeted mutt or something to take out Katniss or Peeta, and thus handpicked their singular Victor. But this idea is immediately foiled by the both of them very imminently killing themselves. This time, the Capitol does not have the benefit of time on their side, and the 5 minute delay in the footage makes not one ounce of difference.

Secondly, Katniss & Peeta have the added protection their personal narratives afford them. It's harder to erase Prim from all footage than it was Sid and Ma, because Katniss volunteering for Prim is The Fact about her everyone latches onto pre-Games. The desperate star-crossed lovers storyline, meanwhile, effectively makes the berry trick ambiguous, instead of inherently rebellious. Some might see it as an attack against the Capitol, but plenty more buy into the romance, and even Snow is forced to admit that this narrative can be useful in shifting the public sentiment. By that point in the books, the time for killing them has passed and it makes more sense for the Capitol to use Katniss & Peeta, just as by the end of SOTR, it makes more sense for the Capitol to use Haymitch to solidify their propaganda. Thus, Haymitch's story enhances Katniss and Peeta's, rather than tarnishes its believability. When propaganda works, it will have people believing what they are told above even their own memories. Katniss' ~luck~ comes from what Haymitch never had... a series of other events and people directly aligning with her actions to allow them to break through the Capitol's narrative.

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[demigod-shenanigans]

Marking that down as another fic I’m never going to write but one time Jason broke his wrist and had to get his wedding ring removed (cut off his finger) for swelling reasons and he spent more time crying about that than he did about his broken wrist, despite the fact that Leo can fix said wedding ring in approximately fifteen minutes

[millionsknives]

the first time i heard the word butch i was 14 and i heard my mom say it. i didn't really know what she meant by it but i remember how she said it with such disgust . mother if you could see me now

[makedonsgriva]

Cover of TGCF vol 1 French Edition